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Features - Quik Lok PS-25 Sustain Pedals

• Sustain pedal
• Momentary contact pedal with normally open or closed contacts by means of mode selector switch
• Ideal for all Korg, Casio, Yamaha, Akai, Roland, Studiologic, Ensoniq, Kawai and other electronic keyboards

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Features - Behringer FCB1010 MIDI Foot Controller with Two Expression Pedals

• 10 banks with 10 user-editable presets each
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• Five MIDI program change and two MIDI controller commands per preset (simultaneously transmittable)
• MIDI note-on commands transmittable for trigger and tap-tempo applications
• Two programmable relay-controlled switch jacks, e.g. for amp channel selection

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Are you playing the same old song on your guitar every day? Aren't you improving in the least bit? Well, the main problem is that you lack the fun of playing the six strings and instead you can try out the new guitar effects pedals. These pedals enable you to mix and match up the sounds with everything that you do, and thus gradually you'll have a much better time playing your guitar now. These effects pedals are packed and sold in various ways like individual pedals, built in effects on amplifiers, guitar multi-effects pedals, etc.

Now, the effects described on these pedals are almost similar for electric and bass guitars. Among the various types of bass guitar effects pedals, here are a few:

- Bass wah wah pedal- This effect on an electric guitar is the result of the use of a foot pedal which is of the rocking treadle type. Here, custom EQ circuitry has been enabled, which is best suited for playing rhythmic melodies ranging from warm to subtle, to even punchy.

- Overdrive distortion pedal- The main function of this type of pedal is to enhance the resulting sound output between warm and rich, making it more aggressive. These pedals are varied in their complexity. But they have some complaints regarding the high noise level which makes them inefficient for recording in studios.

- Bass chorus pedal- Usually these pedals are used for emulating the illusion of involving the multiple bass notes being played in unison, and the creation of variations in the chorus effects. Up to sixteen sounds can be emulated at a time, and randomization of the voices will help thicken the sound.

- Octaver pedal- This octave is used in cases where the requirement involves the production of one full octave and mostly used in case of Funk and R&B. Many even are good enough in coping up with more than two note chords. It is used in creating 'live' altered pitch, but the pedals need to possess a fast and unique tracking capability that can be used well in rapid playing techniques.

- Bass compressor pedal- This enables the bass guitarist to play styles covering a huge range- including normal rhythmic to a greater dynamic. All these can be done smoothly by variation of the sound output resulting from the amplifier. This pedal, though the hardest to use, is only able to produce a bland performance.

One of the many Electric Guitar Effects Pedals available to the guitarist is the Guitar Compressor. They come in many forms ranging from simple to complex, and can be used singularly or embedded within a multi-effects unit.

Firstly - what does the compressor do?

Basically a Compressor automatically controls - or compresses - the Gain of the signal from the Guitar to reduce the Dynamic Range of the output audio signal to your Amplifier.

Note 1: Gain is a unit of measurement, which indicates the increase in power, or amplification of a signal through an Amplifier.

Note 2: Dynamic Range is (in this example) used to describe the ratio between the smallest and largest values of the audio signal.

The above sounds a bit Techy - so what are the practical uses?

1. In practical terms it means that with a Compressor, the player can perform a wide range of styles from soft chord work to loud lead solos, and the output - or volume -from the Amplifier would remain constant. This has the effect of enabling the audience to hear softer chord or rhythmic passages in the song while not drowning out the other musicians during your blistering solos.

2. Another popular use of the Compressor is to increase the sustain of a note beyond the natural string decay of the instrument. Gary Moore's Parisian Walkway is a typical example. The Compressor does not actually change the Guitars behaviour, but works on the audio signal to maintain a constant output level after the string has been plucked. In effect, by changing the Release Time to longer than the Guitar's Decay Time, the instruments note will be preserved.

3. One area where the Compressor is invaluable is in the Recording Studio. The Guitar is a very dynamic instrument, which can lead to all sorts of clipping and distortion problems for the recording engineer. The Compressor is probably the most used tool in the studio arsenal, and is used on most tracks to enrich the sounds - including vocals - as well as maintaining an even dynamic range to prevent clipping. In the modern day studio, which now uses computers to record music, the use of Compressors is now more often in the form of software plug-ins.

This has the advantage that the Compression settings can be changed at any time during the recording and Mastering sessions, and interacts and changes the sound of the audio signal without permanently altering the original recorded signal. However, with hardware Compressors, the signal is first passed through the Compressor before being recorded to the computer hard drive. Therefore, once the recording has been made, you cannot alter or undo the Compression effects.

This device has a number of uses for the live musician, but must be treated with caution as improper use can destroy the dynamics of the music, or lead to the introduction of unwanted noise. Generally there is no substitute for using your own ear to gain the experience to use a Compressor effectively, but the end result can be well worth the effort.

Arranger keyboards such as the Korg PA1X and the Yamaha PSR S900 are becoming immensely popular, with a little help from the dwindling electric organ market. If you want an automatic bass line along with an automatic virtual band, then the arranger keyboard will provide this, as long as the chords you are playing are fairly simple. The new arranger keyboards however do allow you to turn off or divert the bass line so you can choose your own bass line using a MIDI pedal board.

All exercises in this article should be practised on a one octave pedal board and you should be sat down at a keyboard with the MIDI pedal board placed directly underneath the keyboard. The pedal board should be placed so that top C on the pedal board is level with Middle C on the keyboard. Depending on the length of your legs, you can make small adjustment to the placement of the pedal board to suit. You should be able to play bottom C and top C with out any discomfort.

So here are the five top tips to help you to play the bass pedals.

1. Line your left leg up with G on the pedal board. You can then use your leg below the knee to swing to the left of G and play bottom C then swing all the way back up to play Top C. Try to keep the top part of your leg, above the knee, still.

2. When playing the bass pedal with your left foot, keep your leg still and use your ankle to make the pressing motion.

3. Play slowly, on the pedal board, C major scale, C minor scale and a chromatic scale starting with bottom C. Play these scales up and down and repeat ten times.

4. Play this sequence of notes on the pedal board starting with bottom C. C, D, E, F, D, E, F, G, E, F, G, A, F, G, A, B, G, A, B, G, C. Repeat ten times.

5. Play a chromatic scale on the pedal board with left hand chords. Starting with bottom C, play chromatically up to top C and back down again. Repeat ten times.

The important thing to remember when playing the above exercises is to start off slow. If you play to fast to start with, you will learn to play the bass pedals wrong. If you start slow and accurate, speed will come later but you must be patient.

If you practice the above exercises every day for six months, you will be playing the bass pedals like a pro.